Moulton Laboratories
the art and science of sound
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Featured Articles
Original Notes on Music for the Kauffman Center for the Performing Arts Garage in Kansas City, MO
Creating loudspeaker music for a large space.
10/2011
Issues pertaining to the composing of “minimalist” loudspeaker music for home theater arrays
Power Chords, Polyphonic Trains and Plain Old Phase
6/2006
Design considerations for an idealized domestic surround sound listening space
The author describes an ideal surround sound system.
6/2006
IN DISCUSSION
So What’s So Good About Digital, Anyway?:
I respect the view of loving analogue and almost dismissing digital sound. I…
Random Articles
The Mackie Digital 8•Bus Mixing Console, Version 2.0
A review of Mackie's multitrack digital mixer, the Digital 8•Bus console.
11/1999
Liberal Arts Education and Professionalism: A New Perspective
How audio can actually work in a Liberal Arts curriculum.
11/1988
Spectral Management, or, Ways To Think About EQ and Mixing
Dave talks about the huge range of sounds we can hear and how these dimensions should be approached from a mixing standpoint.
3/1993
About Acoustic and Microphone Levels: Levels Management I
How to engineer appropriate acoustical and audio levels in light of our ears' enormous range of dynamic sensitivity.
3/1996
We Want Really Accurate Recordings, Right? Or Do We?
And in this column, I really get down to it. Here we go, with the awful, terrible and painful truth. I’m sorry to be the one to tell ya...
5/2000
The Difference Between What You Hear and What You “Hear!”
An overview of those human biological signal processors otherwise known as ears, and how they impact the question of audibility.
2/2000
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